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    Title: 台灣現代化印記和集體記憶:以台灣動畫電影《幸福路上》為例
    On Taiwanese Animated Film On the Happiness Road: Modernization Traces and Collective Memory of Taiwan
    Authors: 衣桂瑜
    Yi, Guei-Yu
    Contributors: 陳儒修
    Chen, Ru-Shou
    衣桂瑜
    Yi, Guei-Yu
    Keywords: 幸福路上
    動畫
    台灣現代化
    民主化
    集體記憶
    On the Happiness Road
    Animation
    Modernization
    Democratization
    Collective memory
    Date: 2019
    Issue Date: 2019-09-05 16:39:23 (UTC+8)
    Abstract: 本研究以2018年台灣本土動畫《幸福路上》為研究文本,《幸福路上》藉由女主角林淑琪的成長過程,帶領觀眾感受台灣近40年來的時代變遷,透過一張張手繪動畫,重新紀錄身為台灣人都曾有過的共同記憶。

    以當代台灣社會為背景,本研究探討台灣動畫電影與台灣社會變遷之間的複雜關係。除歷史與文化背景概述,同時探討導演如何使用動畫,建構並再現戒嚴後台灣的現代化與民主化歷程,進而反映出屬於台灣觀眾的集體記憶。

    本文以文本分析和電影符號學方式,主題式探討《幸福路上》中台灣社會文化議題,如:戒嚴後的教育體制影響、解嚴後的民主化過程、後冷戰時期下的台灣、女性、階級和種族議題,連結電影文本與現實情況,以便了解導演呈現的集體記憶指涉何種台灣過去的歷史文化經驗。
    This research aims to study Taiwanese animated film On the Happiness Road. The film On the Happiness Road brings the audience back to the past 40 years in Taiwan through the growth of Lin Shu-chi. It represented the collective memory of Taiwanese by hand-drawn animation.

    Based on the development of modern Taiwanese society, this study explores the complex relationship between Taiwanese animated films and social changes in Taiwan. In addition to an overview of Taiwanese historical and cultural backgrounds, it discussed how the director uses animation to construct and represent Taiwan’s modernization and democratization process after martial law. And it analyzed how the film reflects the collective memory of the Taiwanese audience.

    This research analyzed On the Happiness Road in textual analysis and semiology in different socio-cultural themes, such as education under Martial Law, democratization after Martial Law lifted, post-Cold War influence on Taiwan, gender, class, and ethnicity. This thesis hopes to point out the collective memory presented by the director and the significant historical and cultural experience in Taiwan.
    Reference: English Reference
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    李依倩(2006)。 <歷史記憶的回復,延續與斷裂:媒介懷舊所建構的古早台灣圖像>,《新聞學研究》,87:51-96。[ Lee, Y.C. (2006). The Restoration, Continuity, and Fragmentation of Historical Memory in Print Media’s Nostalgic Construction of the Native “Old” Taiwan. Mass Communication Research, 87, 51-56.]
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    Description: 碩士
    國立政治大學
    國際傳播英語碩士學位學程(IMICS)
    1054610121
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G1054610121
    Data Type: thesis
    DOI: 10.6814/NCCU201900703
    Appears in Collections:[國際傳播英語碩士學程] 學位論文

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